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Two shows at U. of I.'s
Chicago art gallery focus on recognition, reading
Melissa
Mitchell, U. of I. News Bureau arts writer
217-333-5491; melissa@illinois.edu
Mary Antonakos, I space coordinator
312-587-9976
10/26/05
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Click
photo to enlarge |
Frankie
Flood
PFL "Mantis"
2003
powder coated aluminum, stainless steel, sealed ball
bearings
4 1/2" x 8 3/4" x 2" |
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CHAMPAIGN, Ill.
— Recognition and reading are the themes of two artist-organized
group shows on view Oct. 28 through Nov. 26 at I
space, the Chicago gallery of the University of Illinois at Urbana-Champaign.
• “Value” features sculpture, jewelry and tools by
U. of I. alumni artists Ian Bally, Frankie Flood and Hye-young Suh.
Organized by U. of I. art and design professor Billie Theide, the show
includes Bally’s sterling silver cast from plastic cutlery; Flood’s
stylized pizza cutters, inspired by outlaw biker culture; and Suh’s
elegant, elaborately crafted necklaces fashioned from junk plastic,
bottle caps and fake jewels. According to writer Polly Ullrich, the
pieces included in the exhibition “are vehicles not only for everyday
use but also for concepts, for analyzing issues and for questioning
mainstream culture.
• “Pages,” curated by Buzz Spector, professor and
chair of Cornell University’s art department and former U. of
I. professor of art and design, includes works by artists who interpret
the page as a conceptual armature.
The exhibition is the second in an ongoing curatorial project in which
Spector invites viewers to consider reading in relation to the gallery
gaze.
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photo to enlarge |
Hye-young
Suh
Coexisting Beauty I
2004
CZ, used plastic, rhodium plated sterling silver
detail |
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Artists Ann Hamilton,
Jane Lackey, Stefana McLure, Sylvia Ptak, Karen Reimer and Elena del
Rivero present page-like fields of text or writing. Khoi Uong’s
information-laden broadside becomes visually overwhelming, while Jochem
Hendrick’s folded newspaper includes no stories, but rather, serves
as a map of the movement of its readers’ eyes.
Marco Maggi, Creighton Michael and Anne Wilson use lines, shadows, cut
paper and stitches as substitutes for text in their work.
John Sparagana and Graham McDougal manipulates magazine pages and text,
and Peter Stanfield’s short stories rely on a hinged apparatus
that contextualizes the story he is telling.
An opening reception is scheduled to take place from 5-7 p.m. on Oct.
28 at the gallery, 230 W. Superior St., Chicago.
I space gallery hours are Tuesday through Saturday, 11 a.m. to 5 p.m.
